Asian American Literature :: essays papers

Asian American Literature Asian Americans front to be fighting an unwinnable battle when it comes to the content of their writing. Writers are criticized by whites for utter out against discrimination, and by their fellow Asian Americans for contributing to the stereotypes through their be quiet. I believe that Asian Americans should include politics in their writing as they so choose, but should not feel obligated to do so, as Frank chin suggests.For those Asian Americans who make known their discontent with the injury and discrimination that they feel, in the white culture, this translates to firinging American superiority and initiating insecurities. For Mura, a writer who dared to question why an Asian American was not allowed to earreach for an Asian American role, his punishment was the ostracism and demonization that ensued. In essence, he was shunned (Hongo 4) by the white people who could not believe that he would attack their superior American ways. According to writers such as Frank Chin and the rest of the Aiiieeeee group, the Americans have dictated Asian culture and created a intelligence as nice and quiet (Chin 1972, 18), mamas boys and crybabies without a humanity in all the males. (Chin 1972, 24). This has become the belief of the proceeding generations of Asian Americans and wherefore manifested these stereotypes. Those authors who contest these American made stereotypes are said to betray the American culture and white power around them, and to be rocking the boat in a seemingly decent living situation. It is as though Asian Americans are succombing to the thought that America is the only place to be and that they should be grateful to live here.On the different hand, keeping silent collect to pressures from the white population means being shunned by the members of the Asian American population. I disagree with Chins ascertation that years of apparent silence have made us accomplices to the makers of stereotypes (Chin 199 1, xxxix). I agree with Hongos business that Chin viewpoint limits artistic freedom (Hongo 4). Declaring that those writers who do not wall stereotypes of the good, loyal, and feminine Chinese man or the submissive female, are in any way contributing to or disagreeing with them is ridiculous. Chins suasion that politics should be included in some aspect of both Asian American piece eliminates choice from writing topics for other writers. Authors are the voices of the people (whichever people they choose to represent) and should not be criticized for choosing to discuss issues other than those that Chin deems necessary.