Studio Session Write Up

Recording Session Write-up Studio Session I matt-up the studio apartment session went reasonably well; the gang The Redtubes were friendly and we as a group found it unaffixed enough to extend our views and vice versa. The Redtubes - Band Members * strainist Jess * Guitars Jake and Liam * Bass thespian Chris * bafflemer - Max We started eat up by asking the spate how they would best like to do it, we then evaluated this against what resources we had and formulated a session externalize, this worked as follows: Takes Vocal Booth Mic.Practice Room 1Mic. 1. Vocals RhodesBass D.I. & group A; AmpedRE20 2. Guitar 1 (Amped) AKG 414Guitar 2 (Amped) RE20 3. Guitar 1 (Dist. Amped) AKG 414Guitar 2 (Dist. Amped) RE20 4. - - - - - - (*N.B.) - - - - Drums (Full Kit Mics.) SE3/Shure We would usually support tried to record the Drums first so we would start a base to wor k from (unfortunately this was out of the question because the Bands drummer couldnt make it until the nearer the end of the session), luckily there was a backing track to work from so this wasnt besides much of an issue.

Once we had all agreed to go forrader with this format we then drew up a computer program of action on the whiteboard, assigning all our channels and deliberate mikes on a visual list. That way there could be less confusion over whos doing what and also whats assigned to which channel, therefore saving time. Microphone Plan transpose putz/Microphone (on Desk) 1. Bass D.I. and RE20 ( grown Diaphragm capacity ! Mic. for low freq. response) 2. Vocals Rhodes (Valve condenser Mic for a rich tone) Some reverb added to financial aid vocalist. 3. Guitar 1 RE20 (Large Diaphragm Condenser Mic. for good freq. response) 4. Guitar 2 AKG 414 (Sensitive Condenser Mic. for good crisp tone) Drum Microphones Channel Drum/Microphone (on Desk) 5. Kick Drum D112 (Industry Standard - Large Diaphragm Dynamic...If you indigence to get a full essay, ensnare it on our website: OrderCustomPaper.com

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