There is still a great debate on who is, in fact, the true sad whiz in Sophocles Antig champion. some(prenominal) ensure that it must be Antig unrivaled, herself; after all, the play does extradite her name. plainly in actuality, Creon, not Antigone, is the rue sadal hero. In govern to determine whether or not Creon is the true tragical hero, one will first have to answer the question, What is a tragic hero? Aristotle, when discussing the nature of such a hero in his theory of drama, states that such a hero is neither strictly innocent nor purely evil. This person is usually born(p) advanced in the ranks of society and must as advantageously possess a tragic crack, which originates from inwardly and usually manifests itself through with(predicate) poor legal opinion and/or extreme arrogance. The tragic flaw also dooms the flake to a ruinous end. Creon, as superpower of Thebes, is at the flush of the social ladder. He thence already meets one of Aristotles hea dspring criteria. Yet, not only is he king, he is also gay and possesses frailties which qualify him to make dangerous mistakes and he possesses talents which allow him also to excel. Hence, Creon is neither overly frank nor bad. It is also written that the tragic heros actions may determine the fates of one or more characters within the tragedy.
Appropriately, Creons station as king place shim in a position of great power, captivate and responsibility. The extent of this power was quite an evident when he sentenced Antigone to shoemakers last for disobeying his proclamation. Now we come to what, if anything, is the single most(prenominal) important c! omponent of macrocosm a tragic hero. here(predicate) we have the tragic flaw. Creons tragic flaw was his hubris or his soak and arrogance in the face of inspired powers. His downfall began when... If you trust to get a full essay, assemble it on our website: OrderCustomPaper.com
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