Monday, March 25, 2019

Kay Sage From Another Approach :: Essays Papers

Kay Sage From Another ApproachMy direction has dickens doorsand one window.One door is red and the other is gray.I tricknot dependent the red doorthe grey door does not interest me.Having no choice, I shall lock them bothand look out of the window.-Kay SageThe performance of Kay Sage (1898-1963) is known to be some of the most abstract finesse produced during the Surrealism movement. (Chadwick, 1997) Although it does not appear at first glance to be anywhere near as abstract as other Modernist fine artists such as Sonia Delaunay or Liubov Popova, (Chadwick, 1997. Pg 263 & 267) it has a kind of dreamlike quality about it that transports the watchman to another world.Kay Sages From Another Approach (1944) is one of her proterozoic works from when she was starting to experiment in Surrealism. Unfortunately, my search did not suit up any criticisms on that particular piece, so I impart use criticisms from other similar pieces from the same time period as From Another Approach , 1940 1954.(Suther, 1997. Pg 89-159)Modernist ikons are many times described as creation universal because theyre just a bunch of pretty shapes and color and everyone likes pretty shapes and colors. What most people dont realize is that Modernist art conveys a sense of otherworldly reality through the pretty shapes and colors.At first glance, From Another Approach seems to fit in with the Modernism stereotype. Its elemental geometric figures grouped almost stylishly on the right elapse side (of the viewer) and clever variation of the olive tone give it the holy living room picture. That is, it could be hung on a living room wall not as art, plainly as a ribbon to enhance the living area. This type of association diminishes what the artist was trying to convey. The following(a) is an excerpt from Time magazine, March 13, 1950, on Sages painting The Instant. I cant tell you what it would mean to most people, but I do know what it means to me. Its a secernate of showi ng whats inside - things half mechanical, half alive. The mountain itself can represent almost anything - a human being, life, the world, and fundamental thing.Sage is plentiful the viewer what she thought of her piece. The piece which has a very strong expressive style of geometric simplicity, melded together to create something disquieting about the scene. Its intent is to nominate emotion in the viewer, whatever emotion being viewer preference.

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